Say You Would
Dynamics are the focus of this lyrical combination. Lyrical can have them: sharp and quick in one place, long and slow in the next. Each movement calls for something different.
Section one is built from blades, with straight arms that stay out around and down. The flexed leg shoots up and the left arm retracts, sharply.
In the balancés, go off your center instead of twisting the ribcage. The runner's position and contraction stay low.
Connect your technical training, and find an emotion to guide the movement.