Sippin

Lots of instruments run through the music of this combination, so the counts are tricky. Listen closely, then define the stops and the moments of articulation or breath.

You get artistic freedom in places. The four counts after the opening clasp are yours to fill, and so is the direction of the big accent in the floor work. Own your voice.

Keep your plié in every transition, because the tempo is brisk. Use the two counts of eight before the start to improvise if you like.

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