Come On Heartbreaker

Changing sections keep the musicality tricky in this combination. Syncopation, direction changes and fast floor work add to it, and there are slow moments, too. Find the breath between them, especially in the up-tempo parts.

The first section has a hold that catches people: a piqué turn, plié, then a piqué with a parallel leg and a plié you keep holding for four counts. Keep your core tight and stay over the foot.

The push and the breath that follow come slowly, after all that speed.

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