Chicago Meets Centre Stage
Treat this as a dance piece, not a drill. Take up space, and find the movement quality and performance behind each technical element, even in a subtle, pretty song.
The flick kicks are about retraction: the leg goes in, not out, and a freeze would catch it only halfway. Think pelvis in, up and light. The hips push forward in a cabaret way, and your hands can follow whatever feels natural, a shake or a rest at the waist.