I Move On

Grab a hat from around the house for this theatre dance combination and pretend it is a gold top hat. The hat is the first thing the audience sees, so the opening has to be powerful.

The whole number stays grounded, small and precise. Style, intention and story telling matter as much as the steps. Tip the hat lightly rather than extending it fully, and don't hold it too tight.

Towards the end there is a held pose on relevé and a section that travels downstage with a lot of power.

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