
Photo: Marco ten Hoff
How to Keep Getting Booked: 5 Career Longevity Expert Tips
by Alek Palinski ⢠6:45 mins read
Todayâs dance industry is saturated with talent. The harsh reality is, there will always be someone more skilled, better looking or simply more suitable for any given project, which makes securing a job in our industry harder. The entertainment hubs such as Los Angeles, New York, and London are full of talented artists, and their dance scenes are no exception. There are many professional dance jobs available. High demand creates supply, with the best of the best moving to these cities in pursuit of their dreams. This can make many artists - including dancers - easily replaceable. Letâs talk about tips for longevity that could help a dancer work consistently. There are many professionals who work for decades, often hired over and over by the same camps, artists, producers and directors. This proves that longevity and a long-lasting dance career can be accomplished despite the high saturation of talent.
But not every dancer knows how to get rehired after their first project with a new employer. Looking at some resumes, youâll notice a multitude of short-term projects: every time with a different camp, choreographer, or artist. This could mean that this dancer books a lot of work because of their talent or look, but for some reason they are unable to keep the job. They donât get invited back after the initial engagement is over. If youâre a choreographer or a casting director, this could be a red flag, indicating that such a candidate may be difficult to work with in some shape or form.
There are many ways to provide value on a dance job beyond doing the dance steps.
There are many variables going into hiring a professional dancer. They can be unpredictable and hard to influence: like look, height, or even the directorâs, producerâs, or artistâs personal preference. Others, however, we can very much control - like skill, work ethic, staying up-to-date with training, or providing value beyond our job description, which will all help achieve career longevity in dance. In my 13 years as a professional dancer, Iâve often been able to work with the same camps over many years, across many projects. While perhaps Iâve had some luck initially getting hired, it wasnât fortune that kept me working. Iâd love to share a few ideas for longevity in the dance industry that I personally practice. I see these as universal for almost any camp or project and I hope they can be helpful to you too. Letâs explore!
1. Work ethic
This should go without saying, yet many struggle with these few seemingly obvious, but extremely important things. Being on time, coming to rehearsal prepared, replying to messages in a timely manner, or leaving personal opinions outside of the work environment will demonstrate your professionalism beyond doing the dance steps. I encourage you to check out my previous article about the value of work ethic, talent and skill on professional dance jobs.
2. Never stop growing
I believe itâs extremely important to keep training and bettering yourself even after youâve become an established, working dancer. As mentioned earlier, thereâs always going to be new talent for casting teams to choose from. Competition doesnât rest and thereâs always going to be more candidates than job openings. Consistent training will not only help you be your best at all times, which comes handy in securing a job, it will also keep you up to date with the current dance trends, which you may be asked to execute in an audition or a show. Recording artists in pop-culture inevitably evolve their music, performance, and creative production over the years, so they too can stay relevant. Your ability to be a chameleon and staying up-to-date in training will make you consistently and universally useful to the same camps across many projects, even as they evolve. In short: stay ready so you donât have to get ready (and donât be a one-trick pony.)
3. Provide value beyond your job description
This has been one of my personal favorites. I think going that extra mile is extremely underrated. In the entertainment industry, we deal with a lot of self-focus and entitlement. Itâs increasingly more rare for someone to provide more than what theyâre asked and paid for. Thatâs why, when it does happen, it never goes unnoticed. It could be simple, effortless things, like bringing a portable speaker to an on-site rehearsal in case the choreographer needs it (e.g. theirs runs out of battery), being the last person to leave and picking up trash, or simply just asking what you could do to help. There are many ways to provide value on a dance job beyond doing the dance steps. With a little common sense and sensitivity, you can make yourself useful beyond your job description without people-pleasing or being pushy. This will set you apart and make you stand out in a good way. Also, this will come handy whenever you want to ask for a raise. The best strategy here is to provide additional value first (aka do more than youâre paid for), so you can eventually bring it up during a raise negotiation!
4. Develop genuine, personal relationships
Especially on longer projects, such as tours, youâll have the opportunity to create meaningful relationships with the team. Iâve noticed that dancers tend to isolate themselves and only develop connections between each other and with the choreographers. But nobody says you canât become friends with the members of other departments. Production, wardrobe, musicians, photographers, tech crew, management, merch or catering staff⌠Showing them support and appreciation for their work will go a long way. Making memories with those around you will help create deep roots within the camp. At the end of the day, we can all relate to each othersâ experience and have more in common than we think. Everybody needs support and encouragement. And some of these relationships will stay with you for life, long after the job has ended. On the contrary, if youâre there only for a check and donât really care about anything or anybody else - it will show⌠and it could make you the easiest person to replace in casting for the next project. Iâve witnessed brilliant, talented dancers not being invited back because they didnât respect the stage crew and acted entitled. Amazing talent alone could be enough to book a job, but it wonât be enough to keep it.
Be a chameleon that can transform with the artist, mold yourself to best fit their current creative [...]
5. Find the essence of the project and embody it
Lastly, I strongly believe that the more moldable you are as a performer, the more in-demand youâll be. This includes your skill, appearance, and overall essence. I encourage you to do in-depth, consistent research on the artist youâre working with. Pay attention to what excites them and how they evolve. Infuse yourself completely in the style and esthetic of the project. This doesnât mean losing your individuality. The best performers can make their personality and signature style shine, while embodying the vibe of the project at the same time. If you booked a job, itâs probably because you already are a good fit. But if you continue to study it, you can take that âfitâ to the next level by making small adjustments in your look and performance. Be a chameleon that can transform with the artist, mold yourself to best fit their current creative, tour, music catalogue, etc.
Strategies and tips for longevity in a professional dancerâs career are plentiful, perhaps infinite. You could get a completely different set of rules from each professional, based on their one-of-a-kind experience in the dance industry. Itâs always a great idea to find those whose accomplishments inspire you the most and ask for their recipe for longevity. The points Iâve shared here are some of the most universal ones I myself practice consistently. I believe they helped me get re-hired by some of the same camps and artists over the years. I hope they will also help you on your way to a successful, long lasting dance career!
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Alek is a professional dancer and choreographer born and raised in Poland. He received a Jazz Dance Instruction and Choreography degree under Kielecki Dance Theatre from the Ministry of Culture and National Heritage of Poland. After a successful career in Europe, in 2015 he moved to Los Angeles where he continues to pursue his dreams as a professional dancer. His credits include: Celine Dion, Pharrell, Jessie J, Karol G, Kehlani, Camila Cabello, Finneas, Kim Petras, Christian Louboutin and Dita Von Teese, for whom he's currently a principal dancer, choreographer and a creative associate. As an active professional dancer, he regularly performs on TV/Film and live stage. Some of his screen credits include: SYTYCD, X Factor, The Voice, "Don't Worry Darling", "Sitting in Bars with Cake", "Monarch", "1923" and Dancing With The Stars.
Alek, the writer: Alek's love for language and writing started with his mom, a high school Polish teacher. Before dance, he thought journalism would be his career. He now fulfills this second passion by sharing his opinion, experience and advice through articles and opinion pieces in the field of dance.
Alek, the teacher: With 15 years of experience as a dancer, choreographer and educator, Alek has taught his dance classes all around the world: from Poland, France, United Kindgom, Italy and Switzerland, to United States, Australia and New Zealand. He specializes in contemporary fusion and commercial dance styles. In his classes, you will experience intricate musicality while focusing on intention, details and dynamics, as well as the texture of the movement. His classes put emphasis on story-telling, while maintaining a technical, structured background. He also focuses a lot on improvisation as a tool of movement and expression development.